This often results in a cluttered, “muddy” mix that lacks directness and tonal definition.ĪDAPTIVERB is always in tune with the input or a user-defined set of pitches, filtering out all unwanted harmonic content from the reverb automatically. Reverb tends to obscure detail by moving sounds into the background and it can introduce dissonance and tonal clashing when the tail overlaps with a note or chord change. However, the length and amount of reverb you can successfully use for this effect is usually limited. No Clutter, No Mud, No DissonanceĪpplying long reverb tails is a great way to “carry” a sound and embed it into a mix.
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You will find ADAPTIVERB works wonders on instruments like guitars, pianos, synthesizers or strings, on speech and vocals, on SFX and location sound, and even on full mixes.Īnd if you (like us) like Daniel Lanois, Robert Fripp, Ulrich Schnauss or My Bloody Valentine… you’ll love ADAPTIVERB. We tend to agree with our testers and trust that you will too. “I don’t use reverbs in general, they always mush up the sound – this one doesn’t, and I’m now turning into a reverb LOVER!”
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Its unique Bionic Sustain Resynthesizer creates reverb-free of graininess or noise splashes, and its Ray Tracing engine creates super-dense and perfectly diffuse tails free of any attention-grabbing discrete reflections. So naturally organic, in fact, that it’s as if your sounds had more sustain in the beginning. Rather than simulating a realistic room, it focuses on creating depth, harmonic richness, and sustain that sounds organic. More than 400 presets covering a broad range of effects, including bread-and-butter reverbs, “invisible” reverbs, instrument-/voice-colored reverbs, cross-filtering, adaptively filtered delays, and pads/drones that play without input signal.ĪDAPTIVERB was designed to sound beautifully lush and smooth from the ground up.Pre-Processing section including harmonic synthesis based Air.Richness parameter for adding octave, fifth or unison interval harmonics into the reverb.
Simplify function that recreates the input’s harmonic content with a small number of oscillators for additive synthesis type sounds - without the warbliness.Input Freeze function for creating drones, pads or infinite reverb type sounds.Ray Tracing and Allpass based reverb engines.HCF Hold mode for creating cross-filtering effects.Filtering and pitch quantization based HCF Keyboard modes to conform to the effect of a specific key.Harmonic Contour Filtering (HCF) circuit for removing effect components, not in tune with the input, a captured harmonic fingerprint, or set of notes defined using an onscreen keyboard.Bionic Sustain Resynthesis creates stunningly organic tails, eliminating noise components from the input for clear, harmonic results free of graininess.Revolutionary new reverberation approach with unique sonic characteristics.
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It comes as an AAX native, AU, RTAS, VST 2.x, and VST 3 on Mac & Windows.
Ambient artists, film composers, and sound designers benefit from its advanced synthesis, cross-filtering and reverb pitch processing functionality ADAPTIVERB provides exciting new creative options for making evolving drones, organic pads, lush ambient soundscapes, and more.ĪDAPTIVERB supports all common sampling rates from 44.1kHz to 192kHz, mono-in stereo-out, and stereo. In fact, it blends with your sounds perfectly and conforms its reverb tail to the tonality of the input or a user-defined set of notes. It automatically adapts to the input audio like a chameleon. Thus, it’s perfect for mixing and mastering applications alike.ĪDAPTIVERB is powered by ray tracing, source separation, and advances in artificial intelligence. Preserving the tonal definition and directness of your mix, it adds “size”, “glue” and “body”. Unlike traditional reflection-based acoustic room modeling, ADAPTIVERB adds perceived depth, harmonic richness, and butter-smooth tails without obscuring the source. ADAPTIVERB is a revolutionary reflectionless reverberation plug-in.